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Buy Ultram Online Without Prescription, As far as the AOK Collective goes, 8thW1 is a bit of an aberration.

Since releasing his stellar debut album, LoveMoneyAndMusic (2008), order Ultram online c.o.d, the Show And Prove Alum has been nearly invisible. Buy Ultram in canada, Outside of select guest appearances (Fresh Daily’s The Gorgeous Killer In Crimes of Passion, 2 Hungry Bros‘ My Crews All Thinner, PSO’s Moontones for example) and the four one minute and forty-four second long snippets from his upcoming collaborative project with PSO, online buying Ultram, Suicide By Jellyfish, Ultram over the counter, 8th remains in the shadows. It’s rare to see him lingering at any of the plethora of Underground showcases littering the NYC music scene. And judging from the events calendar on his website (lovemoneyandmusic.com), order Ultram, it’s even more rare to find him rocking anywhere. With a total of 8 shows, June 2009 was his busiest month in over a year, Buy Ultram Online Without Prescription. Ultram samples, The irony is that, on the low, many wondered whether 8th may be the nicest member of the AOK Collective, buy cheapest Ultram. The indelible nature of LoveMoneyAndMusic -- where he ingeniously conceptualizes three of the most generic topics in Hip-Hop (love, Ultram pharmacy, money and music) without straying from the blueprint or ever coming close to cliche -- consistently intriguing guest appearances and a comparatively low profile inevitably added to his mystique. The assumption was that he was in the kitchen cooking up the dope, never that he wasn’t dope enough to rock more often, rx free Ultram. After nearly two years, Ultram price, 8thW1 returns with his second full length offering, No Room For Dessert.

Buy Ultram Online Without Prescription, Produced entirely by 2 Hungry Bros. (Ben and Deep), australia, uk, us, usa, canada, mexico, india, craiglist, ebay, No Room For Dessert feels like a throwback Hip-Hop album -- break beat heavy, Buy Ultram without a prescription, simplistic hooks, light on conceptual consistency.

8th spreads the content in all directions, where can i order Ultram without prescription. His ability to tackle common topics from a fresh perspective through easily accessible yet clever lyrics is a large part of his appeal. Online buy Ultram without a prescription, “Short And Sweet”, for example, attacks the high sugar content in nearly everything we consume, purchase Ultram online, brilliantly flipping KRS-One’s epic bar from “Sound Of Da Police” into it’s hook: “They claim we selling crack / but you be doing that”. “Stupidface” -- with it’s tales of broken friendships -- somehow manages to be equally introspective, corny and hilarious, Buy Ultram Online Without Prescription. Where can i buy cheapest Ultram online, Opener, “Say My Name Right” clarifies his often mispronounced moniker. “It’s 8th-One / Not 8th Wonder / Call me 8th, buy cheap Ultram no rx, that’s if you can understand that”. “Poppers” uses a “King Of Rock”-like beat and a Run DMC borrowed hook to address the masses that claim quality rap music no longer exists:

“My Hip-Hop ain’t wack / None of my rappers suck / That’s why / I don’t really wanna bring nothing back / I just wanna bring this up / And I know the radio ain’t that poppin / But it’s all good cause you got other options / If there’s more stores for you to shop in / why complain about the things you coppin. Buy generic Ultram, / Don’t do what they say do / The truth’s right under your nasal / So don’t let the mainstream take you / to where the masses are so ungrateful”

NRFD’s most potent cut is undoubtedly “Everyday”, and unfortunately one of few instances where 8th is able to resonate as strongly as he does throughout LMAM. Over 2 Hungry Bros sublime soundscape and angelic sample, where can i buy Ultram online, 8th opines on appreciating the ups and the downs of whatever life tosses your way, Buy Ultram from mexico, kicking insightful bars such as “I learned more from sinning than sitting in church / and it makes me wonder which one came first” and “if you wanna get closer to God / go live in a cave”. Buy Ultram Online Without Prescription, It’s the type of track that follows you through everyday life, providing relevance in even the most mundane situations, allowing you to lean on lines like “I don’t wanna get over / I just wanna get through / I don’t want all of it / I am good with a few”. And ultimately, that’s why music is important: to provide distraction and inspiration and motivation, Ultram for sale. That’s why LMAM is a great LP. Order Ultram from mexican pharmacy, And that’s where NRFD falters.

“Be On You” is one of the album’s best songs, but only because Sleepwalkas hilariously sardonic verses steal the show, buy no prescription Ultram online. “Can I slip this pill in your tonic, Buy Ultram Online Without Prescription. / It makes everything funny and my words melodic / In minutes you’ll be catatonic”. Ultram from canadian pharmacy, “No Harm” by design will ignite any party anywhere, but Reef The Lost Cauze and Homeboy Sandman bookend the most worthy verses on the cut, leaving 8th and Von Pea dueling for third place, buy Ultram online no prescription. “Talkin’” is the definition of filler. Buy Ultram no prescription, Brokn.Englsh carries “Skywriter”. Buy Ultram Online Without Prescription, “More Go!” has immediate commercial appeal, but feels more like a J.Renee song on 8thW1’s album. “Can’t Win’em All” boasts a sing-songy verse from 8th, weak bars from Fresh Daily including infuriatingly un-fresh similies like “you gotta make moves like it’s chess not checkers” and a PSO verse that completely strays from the song concept, where can i find Ultram online. Bars like “My win loss record is flawless” and “I have less Ls than Ws” are not only contradictory, Order Ultram no prescription, but have no place on a track about learning from your failures. And NRFD’s best beat is lodged in the album’s anus as a hidden bonus cut.

The point is, purchase Ultram online no prescription, next to LMAM, Buy Ultram online cod, NRFD is so topically scattered and clogged with guest appearances that it not only minimizes 8th, but it exposes his inability to connect as an emcee. It’s not that his verses are consistently wack or subpar, but that the majority are extremely mediocre, Buy Ultram Online Without Prescription. When twelve other rappers hop on your eleven track album, you have to bring the ill every time or you run the risk of being marginalized. On NRFD, as an artist, 8th falls into the middle of the pack on his own project.

LMAM shined because of it’s wittiness, it’s consistency and it’s focus. It was a thematic endeavor that attacked common yet generic topics like love, money and music from a fresh voice, a fresh perspective and blended so well with the production that replay value was never in question. NRFD Buy Ultram Online Without Prescription, feels like a 2 Hungry Bros. mixtape featuring 8thW1 and others -- a stark contrast from how the New Jersey lyricists built his reputation.

But this isn’t a comparison.

It’s an album review.

And as an album, from mic to plug, No Room For Dessert is a blast to Hip-Hop’s past. Break beat heavy, Buy Ultram Online Without Prescription. Catchy yet simplistic hooks. Put it on at a party and let it rock. The production alone is solid enough to add to your background music rotation, and 8th and family will occasionally grab your attention with interesting commentary and quotations. It highlights 8th’s ability to speak on a broad range of topics, even if it fails to show growth as an emcee. Buy Ultram Online Without Prescription, We’ve seen just about all the rhyme schemes and wittiness from him before (often times much more impressively), which raises the question as to whether he’s advanced in skill level -- especially since “lyrical skills matter about nil / the question is how many do what you do / The appeal / How many think your cool” feels like an admittance of a new view point. There is very little that’s overtly offensive on this album, just like there is very little that is progressive. The combination of which greatly jeopardizes replay value, leaving NRFD feeling less like a buffet, and more like a continental breakfast.

FACT.

RATING: 2.5 out of 5

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Rock Steady 33rd Anniversary Celebration Beginning July 31

The Rock Steady Crew has had one of the largest and most wide-reaching influences throughout all of Hip Hop for over 30 years now. From its humble beginnings in the Bronx in 1979 to the mass movement it has become currently, with branches all across the world, Rock Steady rivals other Hip Hop institutions like the Zulu Nation in what it has done, and is still doing, for the culture to this very day. Now, with the 33^rd anniversary right around the corner, the legendary collective of b-boys and breakers will be celebrating with a two-day outdoor music event for all ages. The event will begin on July 31 at 3 p.m. with both crew and solo break dancing battles, featuring DJ sets from DJ Skeme Richards, DJ DV ONE, DJ Ervin Arana and DJ Renegade from the UK. The winning crew will be flown to London to compete in the Sony Ericcson UK B-Boy Championships World Finals. Following the battles will be a presentation to the recipient of the Spy Award, and the “For the Funk of It” party hosted by Rock Steady alumni Crazy Legs and D-Story. Tickets for the first day event are $25 and can be purchased through CrazyLegsWorkshop.com. The event will culminate on August 1 with “Rock Steady For Life”, a completely free, all-day outdoor concert and food drive, which will be held on Sunday, August 1 in association with the 5^th Annual Lincoln Park Music Festival in Newark, NJ. A host of acts are scheduled to appear, many of which have appeared at the Brooklyn Hip Hop Festival in the last few years. Performers will include Big Daddy Kane, EPMD, Black Sheep, Lords of the Underground, Immortal Technique, 9^th Wonder, Mickey Factz, Homeboy Sandman, Bishop Lamont, Brown Bag All Stars, Rakaa of Dilated Peoples and many more, with DJ sets by Evil Dee of Boot Camp Click and Duck Down Records fame, as well as DJ Eclipse, DJ Scratch and DJ JS-1.  The event will also feature a fashion show for the 2011 collection for Redbuttafly. For more information on both events visit CrazyLegsWorkshop.com.  For more information on the Rock Steady Crew, visit their MySpace page.

Journey Back to Hip-Hop

Big Daddy Kane, “Ain’t no half Steppin”. That was my first vinyl record. The one that I went into the little record store on St. Johns Place and purchased on my own. That was the beginning of my musical independence and my public declaration of a new found love. A love for Hip-Hop. Every Friday night I would wait for that one Hip-Hop show that would come on the radio around 10 PM, just so I could hear the new rap songs. My boom box was ready with a blank cassette, to record the show. Then it was time to play it back and write down the lyrics. I was dedicated. I’d memorize the lyrics and when those late night songs made it mainstream I was ready, reciting the lyrics as if they were my own. I was in love with the beats and lyrics of Big Daddy Kane, Ice T, Queen Latifah, MC Lyte, X-Clan, Poor Righteous Teachers, KRS-One, Special Ed, Nice & Smooth, Pete Rock & CL Smooth, LL Cool J, De La Soul, Onyx, Heavy D, Question Mark Asylum, Tupac... to name a few. I loved the energy of Hip-Hop, the release that it provided. Growing up in a neighborhood where your neighbor was the neighborhood drug queen, crack heads were the norm on the Ave. So if you walked down the street alone at night, you could easily get your bamboo earrings snatched. Cops weren't there to protect you, they were either there chasing some thief up the block, guns in hand, bullets flying or they were regular customers helping the queen pin's business thrive. In that place, Hip-Hop was something I could relate to. I wrapped the whole culture around me, absorbed it and it came out through my pores. I ate, drank & slept Hip-Hop. I wore baggy jeans, gold fronts & two finger rings to show how fresh & hard I was. I was light as a rock personified. Hip-Hop kept me safe when no one else could. Then it was time for college, books, boys and Hip-Hop was fading away. There were less & less quality artists coming into the mainstream and Hip-Hop was getting more shinny & less gritty. And I too was changing, becoming less Hip-Hop and more R & B. Fast forward a decade… After having a beautiful daughter, moving out of NYC and back, I find myself in a position to do some volunteer work. A friend of a friend sends me an email about a company called Brooklyn Bodega that was looking for volunteers and I decide to check them out. Just like that, I’m immersed in the world of Hip-Hop. Black Thought said it perfectly in Brown Sugar, ‘like a forced marriage, it was predetermined. I was gonna be dealing with Hip-Hop whether I wanted to or not.’ I went from MIA in Hip-Hop to regularly attending underground shows, meeting talented up and coming MC’s and blasting a variety of new artists in my car. Nowadays I might find myself at a Kalae AllDay video shoot, catching YC the Cynic, Ciph Diggy, Khalil Kash performing or WordSpit in a cipher outside of the Bowery Poetry Club. No need to turn on the radio. I have a new arsenal of music I rock to, including (but not limited to) Homeboy Sandman, Those Chosen, Freddie Gibbs, SleepWalkas, Eric Sosa, Children of the Night and Gypsy Flesh. As I await the culmination of many sleepless nights, excitement begins to take over. I prepare to be part of a monumental Hip-Hop event: the 2010 Brooklyn Hip-Hop Festival. I awake with excitement & anticipation the dawn before the main event. I was prepared for the shit storm because ‘everything that can go wrong, will go wrong,’ my professor used to say. Fortunately, everything went relatively smoothly while being hectic at the same time. Not even the pouring rain could compel the growing crowd of Hip-Hop lovers in attendance. The best moments for me were watching Dres of Black Sheep, Nice & Smooth, Pete Rock & CL Smooth and finally De La Soul perform. Watching them took me back to the days when I first fell so deeply in love with Hip-Hop. When De La Soul took over the stage I was that 12 year old kid again, watching in complete delight and awe. They delivered an energetic performance that captivated the crowd and did not release them until the show was completely over. I still pop my Big Daddy Kane, MC Lyte, Slick Rick, De La Soul and Nice & Smooth, cassettes in my cars’ tape deck every now and again. On those occasions I reminisce about those early days when Hip-Hop was a brand new art form. It’s been such an exciting journey watching Hip-Hop grow, change, become more widespread and diverse. I love being part of something much larger than me. I love being part of Hip-Hop! FOLLOW EBONY PEACE ON TWITTER @EBONYPEACE READ DE LA SOUL INTERVIEW READ PETE ROCK INTERVIEW READ DJ SPINNA INTERVIEW READ BHF10 RECAP READ BHF FAMILY DAY RECAP

De La Soul: Peer Love

This year is an exciting time for the Brooklyn Hip-Hop Festival for many reasons. Not only has the Main Day Festival expanded into an entire week of events but also this year De La Soul is the Headliner - a feat six years in the making. This is a performance that is monumental for both Hip-Hop and fans alike, and hasn’t been done in New York for the last decade. De La Soul is the legendary group best known for introducing positivity into Hip-Hop with their debut album 3 Feet High and Rising, at a time when it was dominated by intensity and machismo. The group hasn’t looked back since, continuing a progressive career that spans over 20 years. The Long Island trio has influenced numerous other Hip-Hop artists since and continue to today. But rather than us bore you with details of their career (which you can find on Wikipedia), we decided to let you hear what the group means straight from the horse’s mouth. Here we’ve rounded up performers from past and present BHF's to speak to on the importance of De La Soul’s legacy. Check out what DJ Premier, Pharoahe Monch, Buckshot and more had to say about the legendary emcees below. "The amazing thing about De La Soul for me is how they can simultaneously be veteran Hip-Hop legends and make current music with the hunger and excitement of a freshman. They allowed me as an artist to be totally comfortable and honest with my art expression, my style and my voice. They are hands down one of my greatest influences in Hip-Hop. They may be the most underrated groups in music history yet still world-renowned.  De La Soul has the kind of the career that I desire to have and they make the kind of music that I continually aspire to make…they are quite frankly the best, hands down." - Pharoahe Monch “As an artist, the highest compliment I have ever been paid is by De La Soul, when they told me that the way I put my mixtapes together reminds them of their own work.  Wow!  These guys wrote the book on creativity, subtlety, attention to detail, and they embody the absolute best of Hip-Hop culture. Newcomers today don’t even realize the extent to which De La’s creative influence has affected every corner of this music, especially those like myself who strive to further the culture and push boundaries in our own right.  Challenging conventional wisdom, exploring every creative possibility, speaking so powerfully that it impacts a whole generation that’s true artistry.  That’s De La Soul.” - J.Period “As far De La Soul is concerned, without them, that moment never would have happened for me. I have every album De La ever made. Having all these skits on albums, De La started that. Teaching people to be comfortable being themselves -- that's De La. Pride, love, talent, that's De La. My favorite is De La Soul is Dead as an album, but Stakes is High, 3 Feet High and Rising, Buhloone Mindstate, Grind Date, AOI Bionix, this team has always come phenomenally correct. I love the Maceo Parker blowing soul out this horn on Buhloone Mindstate too. Cats are just so comfortable doing whatever they want, super pro with the music too – melodies, lyrics everything. They are one of the greatest musical crews of all time without question, not even just in Hip-Hop but in music. The Beatles, Nirvana and De La Soul, word up.” – Homeboy Sandman I’ve never seen De La Soul perform. The one time I was supposed to at a festival in Detroit it got cancelled for rain, so I can’t wait to see them! My fave song from them would have to be “Stakes Is High” and another personal favorite is “Dog Eat Dog” from that same album. That put all the pieces together for me. – Black Milk “They are just like an awesome group. One kind of story I have is I remember running up on Pos’s brother -- this is before I met De La Soul. Pos has a couple brothers and one brother in particular named Lucky, who looks just like the spitting image of Pos. I saw him one time in Penn Station years ago and I ran up on him thinking it was Pos. And it was actually Lucky [laughs]. I mean, other than that, I’m just a huge fan. They are my peoples, I still look up to them. It’s hard for me to pick a favorite song or album because every album is as dope as the next one. If I had to pick I would say 3 Feet High and Rising, because that’s what set it off for me. The first time I met them was when I did the interlude with them on the first Lyricist Lounge album. My song served as the intro/ interlude for the whole album and De La Soul was hosting it, so they recorded over my beat. I was like aww man, I’m working with De La Soul! Even though they were just talking on my little ass beat [laughs].” – 88-Keys “My man Joe Buck actually did the artwork for De La Soul as well as their logo. He did the De La Soul is Dead album cover as well as a bunch of their single covers. He is also the guy that did my logo, so that is my little personal connection to De La. He actually did that cover in his college dorm room. So, we’ll definitely be out there to see them rock.” - Skyzoo “If it wasn’t for De La Soul there would be no Boot Camp Click. What De La Soul bought to the table that no one else bought to the table was that they were the first ones to introduce the family atmosphere to the industry. Like they had the Native Tongues, A Tribe Called Quest, Queen Latifah, The Jungle Brothers and that’s where I personally got the idea for the collaboration of Boot Camp. They had all these people down with each other, like we have Helta Skelta, Smif N Wessun, Black Moon etc., we learned it from them.” - Buckshot “Actually I broke 3 Feet High and Rising back in ’88, ’87. Ever since then those guys have been really, really cool. Mace is my homie. Dave and Pos are the ones I really interact with when it comes to the music you know because Pos makes beats. He actually made a lot of De La Soul’s beats after Prince Paul. I think De La Soul is one of the illest rap groups that’s different from everyone, still doing Hip-Hop.” – Pete Rock “De La Soul embodies every aspect of Hip-Hop. They are original, I remember the first time I heard “Plug Tunin'” I was like what in the hell! The beat was hardcore and the rhymes –- you didn’t know what the hell they were saying so you studied it over and over until you understood what their rhymes meant and it really made sense you just had to be that sharp with knowing lyrics. So, shout out to Mace, Dave, Pos my n****, I love yall. Their show is so original and tight, they are very animated. I even got to fill in for Mace one day in Spain because Mace’s flight got delayed –- he missed the connection to get to the show. I knew their show so well that I ended up doing it to the tee. Even when they did “Rock Co.Kane Flow”, I flow just like they do in the show because I was that much into respecting how they do their thing. So, I already know they gonna tear it down [at BHF] and again. Anything regarding De La Soul I am a hundred-million percent a fan. They are one of the best ever.” – DJ Premier PURCHASE TICKETS TO THE 2010 BROOKLYN HIP-HOP FESTIVAL

2 Hungry Bros Presents

From 2 Hungry Bros We Are Happy to Announce the official date for the Release of the Eagerly anticipated album, No Room For Dessert, is JULY 27, 2010. Smack dab in the Middle of the Summer. Summer 2010 is cooking up to be something great with the energizing release of Homeboy Sandman's Good Sun at SOB's , June 1st and the Album release party. For more information on No Room For Dessert, the 2 Hungry Bros, 8thw1, and our label, DOMINATION RECORDS please visit DOMINATION RECORDINGS We also don't want to keep you hanging. If it wasn't for such great fans where would we be. Just like Chubb Rock said in "Treat Em Right". Since we love that era so much, we've decided to hit you with a treat! Here's "HARM MUSIC" HARM MUSIC ON BANDCAMP The sun's shining bright, the BBq's are about to Jumpoff! House parties.... In the spirit of Back For SECONDS and Lots of Fun , I present to you 8thw1 and HOMEBOY SANDMAN "HARM MUSIC" This is a modified version of the single "NO HARM" with 8thw1 and Homeboy Sandman. The original, which will be available on June 15th, features Reef the Lost Cauze and Von Pea (TANYA MORGAN) as well. Go to Itunes, Amazon, every digital market on June 15th 2010. And you know the 2 Hungry Bros stay busy. You also know we've recently had the pleasure of working with MC, Likwuid on Ciph Diggy's album on the song Synchronized Rhyming, which some people thought was called "I Was There". We also had the pleasure of working with her on our Mixtape, BACK FOR SECONDS. So much that we have been investing more time and effort into her extraordinary talent and since MAY 11, 2010, have digitally released the single off her upcoming project Gummy Bears and Champagne, "GO L!".  It is available everywhere that sells digital music along with our single NO HARM. Please enjoy and listen for more outstanding music from Likwuid and the 2 Hungry Bros LIKWUID on AmAZON

Brown Bag AllStars Anniversary Blowout

How quickly a year goes by. Brown Bag Thursdays have been going on for a year now and the guys want to celebrate. On June 10th The Brown Bag AllStars will be rocking with Homeboy Sandman, Sene, Cold Heat, Mazzi, O.I.S.D. Red Clay, Brokn Englsh, and special guest Torae. Come though, show support, catch a crazy show, and celebrate. Brown Bag AllStars Anniversary Show Thursday, June 10th, 9pm Voodoo Lounge, 24 1st Ave, NYC $5

BHF Alumni: Homeboy Sandman: The Good Sun In Stores And Online Now!

BHF Alumni continue to make strides towards greatness with every step they take. Ever since wowing the crowd with his own personal brand of lyrical linguistics at the ’09 BHF installment, Queens MC Homeboy Sandman has been on a mission to be seen and heard. On June 1 he took one step closer to fulfilling that mission with the release of his first-fully distributed album, and third overall, The Good Sun on HighWater/Fat Beats. Reviewed on May 28 on HipHopDX.com, Sandman’s full-length installment received a glowing 4 out of 5 rating on the site, and 4.5 out of 5 by site users. With production from DJ Spinna, Ski Beatz and Psycho Les of Beatnuts fame, the 14-track collection is described as “rollicking” and “relentless”, “a rugged, bounce-heavy juggernaut” and “a multi-layered masterpiece”. The Good Sun was summed up as “a sleek offering loaded with relentless, genre-pushing musicality, otherworldly rhyme schemes and contextual relevance.” Not too shabby for the first time out! The entire review can be read at http://www.hiphopdx.com/index/reviews/id.1443/homeboy-sandman-the-good-sun. As if that weren’t enough, Sandman let fans and would-be fans get a first hand glimpse of some of his guerilla marketing techniques on the net. In it, he takes viewers along for a ride on the NYC subway system as he and his crew tag trains with ads for the new disc. Unfortunately, Sand and his crew were caught red-handed by subway security, but not before successfully placing some of their artiest advertisements for the new album throughout the iron freight. The video can be seen at the following link: http://www.2dopeboyz.com/2010/06/01/homeboy-sandman-guerilla-marketing-video/. The Good Sun is available in stores and online now. For more information on Homeboy Sandman, visit www.homeboysandman.com, www.myspace.com/homeboysandman, and homeboysandman.blogspot.com.

Bodega Radio, Friday May 21st with Special Guests Homeboy Sandman and Gods’illa

Friday, May 21st New York City Underground Edition BrooklynBodega.com staff writers Navani Otero, Run_P (The Free Safety) and host The Company Man discuss the status of New York City Hip Hop and its deficient presence on the national landscape, while rocking tracks from some of the dopest Emcees in the NYC Underground. Special guests Homeboy Sandman stops in to join the discussion and preview his upcoming album The Good Sun (rising June 1st). DMV collective Gods'illa, fresh off its rollicking Show And Prove debut, also drops by to kick knowledge on the subject. Microphone check...check...check...check... Click Here To Purchase Tickets To The 2010 Brooklyn Hip Hop Festival

Kalae All Day AFROMATIKNEOHIPPIEROCK*SOLEMUSIC Album Review

The Company Man and I often compare notes on emcees and the eclectics of their career. In passing, he mentioned a female emcee — Kalae All Day — that had a really “interesting” sound. When he used the word "interesting", I prepared myself for an awkward, soulful, poetic, and electronic sound that Amanda Diva attempted on her Spandex, Rhymes, and Soul. However, Kalae All Day’s AFROMATIKNEOHIPPIEROCK*SOLEMUSIC, surprised me. With jumbled track names similar to Musiq Soulchild’s, “Indunktionjuntion’s” climax of words brings in the hardest track on the project — “OG LyrikalBookbagger", featuring Homeboy Sandman. The Show And Prove alumni practically sings her lyricism over an amazing clap/step/tap beat at an incredibly fast pace. “The songs not over yet…” Throughout the middle of the project, Kalae All Day’s “Break It Down”, “DopeShiyat”, “Intoxikationation” and “Teratophobianspacestomp”, accomplish the soul-electronic-Hip-Hop sound Amanda Diva was going for. (“Teratophobianspacestomp” scared me a bit) The production is amazing with elements of jazz and soul which Kalae All Day croons over carelessly. Kalae All Day considers herself a Femcee, but I didn’t feel as though she threw too many bars on the project. Most of her lyricism can be found in “OG LyrikalBookbagger”, “Atrhroughzingle”, “ThisisWhat” and the introduction and conclusion to “KeeponPhushin”. “Maybe it’s the afro, / haven’t cut it in a while. / Maybe it’s the smooth flow. / Maybe it’s the killer smile.” With most of the tracks panning out to be three minutes long and mostly singing, I would have appreciated more emceeing on Kalae’s part. From what I’ve heard so far, her lyrical capability defies the norms with her bars stepping out of the beat’s framework and a constant switch of flows. Her spread of content is also on point. Song topics range from love, struggle, confidence, drunken nights, empowerment and so much more. As a Femcee myself, I understand how hard it is to provide quality content with the mass expectation of lyrics focused on men, money, and my (ass)ets. Kalae’s project provides Hip-Hop with a perfect spectrum of the female world. I couldn’t help but grin with a bit of pride at the sound of another Femcee blaring from my speakers. The project is severely repeatable and is on my iTunes rotation list for play. Honestly, I could listen to Kalae……all day. RATING: 4 out of 5

BHF Alumni: Homeboy Sandman ‘The Good Sun’ June 1

From DX Homeboy Sandman has been at work on his official label-debut The Good Sun for several years. HipHopDX just learned that the release will see the sun at last this June 1st. High Water Music will put out the Queens, New Yorker's album, which features highly-respected, platinum producers Psycho Les of The Beatnuts, DJ Spinna and Ski Beatz, among others. Guests include label-mates John Robinson and Fresh Daily. The June release is supported by lead-single "Not Pop," with supporting songs dealing with the former public school teacher's stance on society, violence and the environment. Check one of the album's songs, "Angels With Dirty Faces" . In 2008, Homeboy Sandman self-released Actual Factual Pterodactyl, which helped lead to his signing. “The sun is rising and it’s a new day. Illumination is on deck," said Sandman. "It's been a long night, like one of those Alaskan Polar six month nights, or that zombie movie where it was night for a month. There's been heavy zombie activity taking place, but here comes the sun; finally.”

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