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Buy Cymbalta Online Without Prescription, The 2010 BHF was chock full of some of the most talked-about up and comers in today’s hip hop game. But now, order Cymbalta, Buy generic Cymbalta, newly minted former BHF crowd-rocker Skyzoo is beginning to turn himself into a front-runner of the pack, with a new single and video for the song “Frisbees”, buy no prescription Cymbalta online, Cymbalta over the counter, with production by Illmind.

Over a deliciously dark and sinister slice of hip hop production courtesy of Illmind, where can i order Cymbalta without prescription, Where can i find Cymbalta online, the Brooklyn MC and Duck Down Records loyalist goes in on would-be rappers that are vying for a stake in the game. Directed by Derek Pike (director of videos for the likes of Skills, buy cheap Cymbalta no rx, Order Cymbalta no prescription, Saigon, Havoc of Mobb Deep, Cymbalta samples, Where can i buy cheapest Cymbalta online, Raekwon, Joelle Ortiz, Cymbalta for sale, Australia, uk, us, usa, canada, mexico, india, craiglist, ebay, Consequence and Styles P) the video is a simple yet effective play on the song title, filmed with a basic Brooklyn Backdrop with everyday people playing a game of Frisbee.  But from the first few lines, buy Cymbalta in canada, Cymbalta price, listeners and viewers are given first-hand knowledge of just why Skyzoo was featured at the 2010 installment of the Brooklyn Hip Hop Festival.

The video already has over 9,000 views on YouTube since having been released on July29, buy Cymbalta without a prescription. Purchase Cymbalta online no prescription, Fans can catch the video here. Skyzoo and Illmind are currently working on a project entitled Live from the Tapedeck that will hit the streets on October 25, buy cheapest Cymbalta. Purchase Cymbalta online, Fans can purchase Skyzoo’s The Salvation in stores and online right now. They can also visit him on MySpace, order Cymbalta from mexican pharmacy, Online buying Cymbalta, Twitter, Facebook and on the Duck Down website, Cymbalta from canadian pharmacy. Buy Cymbalta no prescription. Buy Cymbalta online cod. Buy Cymbalta online no prescription. Where can i buy Cymbalta online. Buy Cymbalta from mexico.

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BHF10: Live Under The Brooklyn Bridge

It wasn’t the vendors, graffiti hats, Japanese gourmet (maybe it was a little bit), and beer in tow that kept me captivated. It wasn’t the mass of volunteers, the all-access earpieces that kept the communication flowing, or the brightly colored passes that deciphered Bodega family from the onlookers either. It was the weather. A metaphor for Hip-Hop’s longevity; the sunshine standing for our initiation into the musical world, the rain for the soldiers we’ve lost and the turbulence along the way, and the light after the storm, symbolic of falling and getting back up again. All of this was overcast by a bridge leading uptown to where it all began. Every staff member was a simile, audience the stanzas, and performers the iambic pentameter. After all Brooklyn Hip-Hop Festival could only be described in one word….poetry. At a Bodega affair, who else would be fitting enough to open the show? A Bodega signee and two Show & Prove Alumni. Savannah Boogie Music’s, Aquil, alongside Kalae All Day and The Crowd opened the show by storm. Although that’s exactly what was brewing, the grey clouds rolled in with Aquil’s tight verses over a compilation of classic Hip-Hop beats. “This is for the emcees, DJ’s, rap writers, beat breakers….” The Crowd, an eclectic crew repping Philly, The Bronx, and Paris, France followed up with a variation of beat box, quick spits, and a soulful voice. The trio comprised of Akil Dasan, Randy Mason, and Adeline, brought two guitars and incomparable harmony to the stage. They started with their YouTube hit “Music”, followed by “We Came to Rock” and versatile impromptu verses spit between sound difficulties and Aaliyah’s “Are You That Somebody”. Even with the constant adjusting, “The Crowd” kept the audience severely entertained. They truly embodied the phrase, “The Show Must Go On.” Kalae All Day—Ms. Black Dynamite—rocked out after The Crowd, literally. With a star studded jacket, fro-hawk, and SERIOUS frames shading her eyes, she entered stage right with no fear. “You couldn’t read me if I was a…..book.” A lyrical songstress, as I like to call her, embraced her sets with her rhymes over a solid drum beat, freestyle over the introduction to “The Boondocks”, and her single “OG Lyrical Bookbagger” sans Homeboy Sandman. After her performance she stated, “I feel hot, and sweaty, and dope. I’m happy for the opportunity.” Following the newcomers, another Savannah Boogie production, Those Chosen, alongside Diamond District and The Money Making Jam Boys took the stage one after the other. Emcees duo and trio style sauntered to the very tip of the stage on to the speakers near the edge to convey their messages to the attendees. While Diamond District— Oddisee, X.O., and yU — were awkwardly synchronized Temptations style during “Streets Won’t Let Me Chill”, the main emcee spitting would withdraw from the last word on each bar so the other two could emphasize for him. I’m all for working as a team but, just like on the track, each emcee should get his shine. The overt sync took away from their live performance and allowed Those Chosen and Money Making Jam Boys to shine a little bit brighter. Those Chosen — Japetto, Kornbread, and Foreshadow — brought amazing energy to BHHF and had young cats bobbing their heads and memorizing their hooks. The Money Making Jam Boys came through with their own theme music which onset a gradual “Ooooo” from the crowd. While other groups came with repetitive hooks, they decided to keep it predominately lyrical. Switching the roles of hype man—accurately fading into the background—allowed each emcee enough time on the microphone to show their capability. Celebrating fifteen years of independence, artists from DuckDown Records came through to elevate the spot. Mario, a 47-year-old from Brooklyn, stated, “Smif N Wessun, that’s all I came here to see.” The celebration also brought through Skyzoo, Buckshot, Black Moon, 5FT, DJ Evil Dee and other members of the Boot Camp Clik. Although Torae was an excellent host, these dudes needed no introduction. As each emcee took his turn to the mic, the fans spit word for word the old school and new joints performed. Emcee and producer, Black Milk also had visible fans. Spitting his lines bar for bar was Terry, a 16-year-old from Sunset Park who said, “I came to see De La Soul and Pete Rock but I didn’t know Black Milk was going to be here. I was about to leave to get something to eat and then I saw him and said, ‘What!?’” Black Milk performed songs, “So Gone” and “Welcome (Gotta Go)” as well as many others. Chain swinging low and Nike’s on serious fresh status, the emcee is a force to be reckoned with. One of my favorite emcees, Fashawn, stood backstage rhyming the words to “Kweli” before his set. Rocking a Fresno jersey with his name inscribed on his back he wasted no time telling us his life story. Ripping with songs such as, “The Ecology”, “Samsonite Man”, and “Life as a Shorty” -- he lives up to his storyteller reputation during his live performance. Coming through incredibly clear on the microphone and a master at working the stage; Fashawn left the multitude pleased. Curren$y Spitta also came through with tracks from his new LP — Pilot Talk — that dropped on his self-made label, JETS. As I’ve said before, Curren$y isn’t a rapper, he’s a mood. Setting an aura, making music mostly for the smokers, he causes his fans to zone out with usually the faint smell of smolder in the air. Having just experienced his live show at SOB’s during BIG K.R.I.T.’s Def Jam Signing Party, I can definitely say he had way more energy. Perhaps this is due to his album drop on July 13th? Yeah, indubitably. After the new school blessed the stage, the veterans came through. Masta Ace, Marley Marl, and Craig G brought “The Symphony” to BHF10, literally. “I keep just going and flowing, just like a river.” (I bet you don’t know why I chose that quote.) The crowd went wild upon hearing Masta Ace introduce his fellow comrade “Next up, it’s Craig G on the mic!” J. Period also came through with a line of special guests such as Dres, Premo, and Nice and Smooth. However soon after, something epic occurred -- Pete Rock and CL Smooth back on stage after a 6 year hiatus, performing together like they’d never left. The duo commanded attention performing classics like “Straighten Out” and “TROY.” The grand finale, headliner De La Soul took the stage with the largest crowd. The gates were gradually filling through the evening but, were almost to capacity with the entrance of the trio. Posdnuos took the lead—front and center—most of the time. The trio didn’t cease to amaze as they’ve done for decades. The three emcees—also comprised of Dave and Maseo—took BHF10 through a time machine. They performed, “Getting’ Down at the Amphitheatre”, “Potholes In My Lawn”, “Stakes is High”, “Me, Myself, and I”, “Saturday”, “BreakADawn”, “Grind Date”, “Bionix” and “Oooh, Ooh, Ooh” -- covering songs from every album except Are You In?. Between sets the “J Dilla Emsemble” from Berklee College led by faculty member Brian “Raydar” Ellis and lead Jonquel performed recomposed works by J Dilla himself. The group stated, “We just get together and play Dilla joints. We hear the original and play it by ear. This is our first real show.” The ensemble also performed at the Bodega Education Initiative panel discussions with Ma Dukes Yancey, J Dilla’s mother, and rapper Q-Tip at the Brooklyn Historical Society. There was a high after the festival—no not just after Curren$y’s set—drifting underneath the Brooklyn Bridge, lacing the promenade, lingering in the ears of old Hip-Hop heads and hipsters alike. It was over, allowing mainstream minds to descend into the underground and elevate to a euphoria that’s only possible once a year. Prodigies, philosophers, and composers met in a safe space and rose from ashes unstirred for years. The emcees—not entertainers—committed arson on microphones (thank God we were near the water) while police and volunteers guarded our treasured genre. This is that unforgettable high, leaving the ghosts of smoldering microphones somewhere in Dumbo, Brooklyn. If you’re lucky, you might just catch contact. Follow RivaFlowz on Twitter: @RivaFlowz

BHF10 Artist, Skyzoo Comments on Duck Down 15th Anniversary

If anyone is on their rap hustle, it's Brooklyn native Skyzoo. He is constantly on his grind when it comes to music and this weekend was no different. He came out with his Duck Down family to perform at the 2010 Brooklyn Hip Hop festival as part of the 15 Year Anniversary of the legendary label. We caught up with him after he rocked the stage to get a few words on what it means to be part of the Duck Down family: "Being on Duck Down Records means being on an Indie label that makes moves like a major. It means going hard on your own but having a team to support you." Some major moves this weekend include shooting the video for the new single "Frisbees" today in Brooklyn - he expects the single to drop by next week. In the meantime, you can get your Skyzoo fix tonight when his track "Popularity" will be featured on the HBO series, Entourage. PURCHASE SKYZOO MUSIC

De La Soul: Peer Love

This year is an exciting time for the Brooklyn Hip-Hop Festival for many reasons. Not only has the Main Day Festival expanded into an entire week of events but also this year De La Soul is the Headliner - a feat six years in the making. This is a performance that is monumental for both Hip-Hop and fans alike, and hasn’t been done in New York for the last decade. De La Soul is the legendary group best known for introducing positivity into Hip-Hop with their debut album 3 Feet High and Rising, at a time when it was dominated by intensity and machismo. The group hasn’t looked back since, continuing a progressive career that spans over 20 years. The Long Island trio has influenced numerous other Hip-Hop artists since and continue to today. But rather than us bore you with details of their career (which you can find on Wikipedia), we decided to let you hear what the group means straight from the horse’s mouth. Here we’ve rounded up performers from past and present BHF's to speak to on the importance of De La Soul’s legacy. Check out what DJ Premier, Pharoahe Monch, Buckshot and more had to say about the legendary emcees below. "The amazing thing about De La Soul for me is how they can simultaneously be veteran Hip-Hop legends and make current music with the hunger and excitement of a freshman. They allowed me as an artist to be totally comfortable and honest with my art expression, my style and my voice. They are hands down one of my greatest influences in Hip-Hop. They may be the most underrated groups in music history yet still world-renowned.  De La Soul has the kind of the career that I desire to have and they make the kind of music that I continually aspire to make…they are quite frankly the best, hands down." - Pharoahe Monch “As an artist, the highest compliment I have ever been paid is by De La Soul, when they told me that the way I put my mixtapes together reminds them of their own work.  Wow!  These guys wrote the book on creativity, subtlety, attention to detail, and they embody the absolute best of Hip-Hop culture. Newcomers today don’t even realize the extent to which De La’s creative influence has affected every corner of this music, especially those like myself who strive to further the culture and push boundaries in our own right.  Challenging conventional wisdom, exploring every creative possibility, speaking so powerfully that it impacts a whole generation that’s true artistry.  That’s De La Soul.” - J.Period “As far De La Soul is concerned, without them, that moment never would have happened for me. I have every album De La ever made. Having all these skits on albums, De La started that. Teaching people to be comfortable being themselves -- that's De La. Pride, love, talent, that's De La. My favorite is De La Soul is Dead as an album, but Stakes is High, 3 Feet High and Rising, Buhloone Mindstate, Grind Date, AOI Bionix, this team has always come phenomenally correct. I love the Maceo Parker blowing soul out this horn on Buhloone Mindstate too. Cats are just so comfortable doing whatever they want, super pro with the music too – melodies, lyrics everything. They are one of the greatest musical crews of all time without question, not even just in Hip-Hop but in music. The Beatles, Nirvana and De La Soul, word up.” – Homeboy Sandman I’ve never seen De La Soul perform. The one time I was supposed to at a festival in Detroit it got cancelled for rain, so I can’t wait to see them! My fave song from them would have to be “Stakes Is High” and another personal favorite is “Dog Eat Dog” from that same album. That put all the pieces together for me. – Black Milk “They are just like an awesome group. One kind of story I have is I remember running up on Pos’s brother -- this is before I met De La Soul. Pos has a couple brothers and one brother in particular named Lucky, who looks just like the spitting image of Pos. I saw him one time in Penn Station years ago and I ran up on him thinking it was Pos. And it was actually Lucky [laughs]. I mean, other than that, I’m just a huge fan. They are my peoples, I still look up to them. It’s hard for me to pick a favorite song or album because every album is as dope as the next one. If I had to pick I would say 3 Feet High and Rising, because that’s what set it off for me. The first time I met them was when I did the interlude with them on the first Lyricist Lounge album. My song served as the intro/ interlude for the whole album and De La Soul was hosting it, so they recorded over my beat. I was like aww man, I’m working with De La Soul! Even though they were just talking on my little ass beat [laughs].” – 88-Keys “My man Joe Buck actually did the artwork for De La Soul as well as their logo. He did the De La Soul is Dead album cover as well as a bunch of their single covers. He is also the guy that did my logo, so that is my little personal connection to De La. He actually did that cover in his college dorm room. So, we’ll definitely be out there to see them rock.” - Skyzoo “If it wasn’t for De La Soul there would be no Boot Camp Click. What De La Soul bought to the table that no one else bought to the table was that they were the first ones to introduce the family atmosphere to the industry. Like they had the Native Tongues, A Tribe Called Quest, Queen Latifah, The Jungle Brothers and that’s where I personally got the idea for the collaboration of Boot Camp. They had all these people down with each other, like we have Helta Skelta, Smif N Wessun, Black Moon etc., we learned it from them.” - Buckshot “Actually I broke 3 Feet High and Rising back in ’88, ’87. Ever since then those guys have been really, really cool. Mace is my homie. Dave and Pos are the ones I really interact with when it comes to the music you know because Pos makes beats. He actually made a lot of De La Soul’s beats after Prince Paul. I think De La Soul is one of the illest rap groups that’s different from everyone, still doing Hip-Hop.” – Pete Rock “De La Soul embodies every aspect of Hip-Hop. They are original, I remember the first time I heard “Plug Tunin'” I was like what in the hell! The beat was hardcore and the rhymes –- you didn’t know what the hell they were saying so you studied it over and over until you understood what their rhymes meant and it really made sense you just had to be that sharp with knowing lyrics. So, shout out to Mace, Dave, Pos my n****, I love yall. Their show is so original and tight, they are very animated. I even got to fill in for Mace one day in Spain because Mace’s flight got delayed –- he missed the connection to get to the show. I knew their show so well that I ended up doing it to the tee. Even when they did “Rock Co.Kane Flow”, I flow just like they do in the show because I was that much into respecting how they do their thing. So, I already know they gonna tear it down [at BHF] and again. Anything regarding De La Soul I am a hundred-million percent a fan. They are one of the best ever.” – DJ Premier PURCHASE TICKETS TO THE 2010 BROOKLYN HIP-HOP FESTIVAL

Brooklyn Bodega Radio: BHF Week Recap Edition with Guests Skyzoo, General Steele of Smif-N-Wessun and Those Chosen

Brooklyn Bodega Radio Friday, July 9, 2010 BHF10 Week Recap, Main Day Preview Edition Hosts Navani Otero and The Company Man recap an epic BHF10 Week - discussing the Illmatic Show And Prove Super Bowl, BEI with Ma Dukes Yancey and Q-Tip, Movie Night and Salute The DJ. Raven The Blazin Eurasian stops in the studio along with Savannah Boogie Music artists, Those Chosen. General Steele and Skyzoo call in to discuss Duck Down's upcoming 15th Anniversary performance at the 2010 Brooklyn Hip-Hop Festival. Microphone check...check...check...check Download Here

BHF10: Fly For July — Interview With Skyzoo

When Brooklyn Bodega Radio recently did a show on New York City Underground artists, the first person that came to mind was Skyzoo. First of all, he’s a dude that has been on the scene for quite sometime, playing at showcases and making his rounds on mixtapes, whether his own or hosted by other DJ’s. While he may not garner mainstream attention per say, he is definitely respected in the streets for his laid back, lyrical style. Besides that, he knows how to stay relevant. Plus, he reps New York, hard. So, I was not surprised when he was added to this year’s bill for the 2010 Brooklyn Hip-Hop Festival – a festival dedicated to giving shine to worthy artists and rising stars. BrooklynBodega.com caught up with the Brooklyn native recently and got his thoughts on touring with Ghostface, how New York can become a dominant force again in this industry and what to expect from him at BHF10. BB: I know you started rhyming at a really young age, but what was it that drew you to being an emcee? Skyzoo: I started writing and rhyming when I was nine. Growing up in New York, growing up in Brooklyn, hip-hop was a major part of my life. I was a fan of so many things – the whole Juice Crew movement as well as KRS and all of them up in the Bronx. On the flipside, I was also a fan of Tribe Called Quest and Black Sheep -- the whole Native Tongues movement. Specifically, Chi Ali was the artist that really made me want to start rhyming. He was 14 when he first came out. He was the youngest member of the Native Tongues movement and when he came out I was blown away. He was young but was rhyming like an adult, he was like the cool kid everyone wants to be friends with. I could relate to him because he was from New York while all the other kid acts were from like Atlanta etc. When “Age ain’t Nothing but a Number” dropped I started rhyming that same minute. BB: What was the turning point for you when it stopped being a hobby and started being a career? Skyzoo: Well from day one I knew this was all I wanted to do. But business wise, probably when I was 19. It’s one thing to rhyme in the lunch room and have 100 notebooks filled with rhymes and be the best dude on the block, but it’s another thing to be in it for real and come up with a plan. You grow up thinking one day you will rap for someone for 5 minutes and then they will sign you on the spot. But then you get to a point when you realize it doesn’t happen like that. You have to put together a demo and ship it out. You have to do shows to get people to know you. So at 19 I started putting together a business plan. BB: How did you get cool with the Justice League? Skyzoo: A lot of people think I am part of the crew, but I was never really down with the crew, I was just always affiliated. [Justice League] showed me a ton of love and I showed it back. I met them through my man Chaundon who is actually one of the members. I met him back in late 2004 and by early 2005 he was telling them about me. At that time, they asked me to fly down to North Carolina and record for a few days. So I went down and recorded some stuff with Khrysis and it was dope. From there I met 9th Wonder, and him and [we started] making records. Then I met Pooh and everyone else and they just started showing me mad love. They would go on blogs and shout me out and they just started spreading the word about me. BB: How was it working with 9th Wonder on the mixtape Cloud 9: The 3 Day High? Skyzoo: Working with 9th is dope, you know 9th is family. So working with him doesn’t really seem like work. We just get up, make records and bug out and that’s pretty much it. I’m trying to find other words to describe him, but that is pretty much the gist of it. But on Cloud Nine we didn’t actually work together that much. The way it came about was I was sitting around bored with where things were musically, I didn’t really have anything to listen to – this was around May 2006. Every time I would run into 9th, he would give me beats, it’s this thing we have. So by then I had a bunch of beats from him and I started going through them and decided I was just gonna write to them. So in the course of two days I did 9 songs. I flew down to North Carolina and gave the CD to 9th and he loved it and that day we got up and did three songs. So that’s how it became 12 songs, but I had did 2/3 of it already. BB: Besides working with talented people like 9th Wonder, you’ve also been on tour with the likes of Ghostface. Tell me how that was. Were there any funny/memorable moments with Ghost? Skyzoo: Aww man, Ghostface is probably the best person on the planet to tour with. When you see him in the videos and hear him in the interview, that’s him like 100%. He was just so awesome on stage. I would go on before Ghost and he would come on when I was done. Instead of breaking out after my set and going to the hotel or whatever, I would stay and watch him even though it was the same show every night and we knew what was going to happen. You still didn’t really know what would happen because Ghost is so animated. He’s hilarious. It could be anything from flipping out on the soundman, to showing love to the crowd, to singling out someone in the crowd for not showing enough love. He’s just awesome. It all comes from the passion that he has for the music. You definitely learn a lot being in that situation. BB: How is the response when you tour out of the country? Do you get the same kind of love as you do in Brooklyn? Skyzoo: I get tons of love in Brooklyn, tons of love at home. But the love is even bigger abroad. Like when I was in China I actually headlined, there were other acts opening for me. I sold out both shows, they had ads and drops on the radio, they had posters all over the city with me on them. It was amazing. You can’t really ask for more than that. So it just shows that music transcends and goes all over the place. BB: You get compared a lot to Jay-Z and Biggie a lot, is it just the common Brooklyn swagger or have they influenced you? How do you feel about that? Skyzoo: They definitely influenced me, especially growing up a block away from Biggie. I grew up literally a block away, so I saw all that. I used to see Kim and Junior Mafia all the time in the neighborhood. I used to see Biggie on the corner and all that, but I was young. It’s not like I was 17 and could really take advantage of it, I was 11. Then I started seeing him less and less and knowing that was because he was on the road and things were happening for him. The biggest thing it did for me was show me that it could really happen, you could really make it in hip-hop. As far as Jay is concerned, I am just a huge fan. I think any artist coming up will get compared to someone else before them. Jay-Z was compared to Big Daddy Kane and Nas was compared to Rakim. It’s an honor to be compared to Jay at the same time we make very different kinds of records. BB: How would you describe your style, or your sound? For me it’s hard because I see you as a lyricist with a laid back flow that I like, but you have street elements to you as well but are not a “thug.” It’s not easy to put you in one box. Skyzoo: I totally agree with everything you just said, I really appreciate that. I totally agree with the way you broke it down. I saw one time a comment someone left online saying “Skyzoo is like Cam and the Lox but then he’s like Black Starr.” And I was like yeah, that kind of makes sense (laughs). The music that I make is just from what I know and how I grew up. I grew up in Brooklyn, Bed-Stuy and Crown Heights, so when you hear Ready to Die and Reasonable Doubt, that was the area. So you will hear that in my music. But at the same time I was the only kid that went all the way to Manhattan to go to school. My parents did that on purpose, I wasn’t allowed to go in my neighborhood. So then you will hear that as well. So, that’s when you hear the story telling and the intricate ways I put words together. I was an English major in college so I took a little bit of that with me too. So that’s how you get both the street side but the intelligent side as well. The best way I can describe it is “reality rap”. It doesn’t always mean a deep or dark thing, it could be anything. If you go to the club and pop bottles every week that’s a reality too. That was a part of my life for a while too, many people may not know that. So, I talk about that on records. And then I talk about having a 9-5 and contemplating going back to previous things on records like “For what it’s Worth”. When you listen to The Salvation, every single thing on there really happened. So for me, I call it reality rap. BB: My biggest issue with the industry right now is how New York is not getting much national recognition. For instance, XXL published its Freshman 2010 issue and none of the artists featured were from New York. Why do you think that is? Skyzoo: It’s all business. I understand that. At the end of the day New York is not dominant right now, we are not prominent. We are not the city that “matters” right now to the general eye. To me, yes of course, because I am die-hard New York – I’m Yankee fitted everyday. But to the World, we are not in the front no more. And XXL says ok we are putting kids no one has heard of on the front, if they put three people from New York on the cover is that really going to help them sell magazines nationally? So I get it. I don’t excuse it, but I get it. BB: I feel like you should have way more exposure than you do right now, in my opinion. You’ve been on the underground circuit for years and paid a lot of dues. So how do you feel when people here in New York enlist talent from other places when there is so much homegrown talent here? For example, Jay-Z signing J. Cole? Skyzoo: I think it’s something other New Yorkers think about everyday. Shout out to Cole, that’s my homie, I’ve done shows with him. He’s real dope; so to see him get signed to Jay-Z, I’m not mad at that. You do wish one of us could get in a seat like that as well. There is definitely room at that table, what’s up? As far as why, who knows why? As far as New York prominence goes, there are a lot of issues like lack of unity. Some of the older guys not reaching back to the younger cats like they do in the south. You got young guys now reaching up to the older generation in the south, like T.I. signing Eight ball and MJG. It shows you how they get down and they support each other. You can’t really get that up here because New York has always been an ego driven city, even before hip-hop existed. But now it’s coming back to bite us. BB: What are you working on now? When can we expect the second album? Skyzoo: I got a collabo coming up with Illmind called Live from the Tape deck. It’s not like The Salvation at all, not a lot of personal records. It’s leading up to the second album and is due out this fall. It’s not the second album; I know a lot of people are waiting on the that. It’s not the second album because I didn’t want to just rush out with another album right away. I really wanted the first album to resonate with people. I want the second album to be filled with different experiences and things and be able to talk about things that are going on. So I felt like I needed to live in order to have something to write about because I write about what I am living. However, we live in a blog world, here today gone today. So you have to keep your name on the blogs. With that being said you gotta keep music out there. So the happy medium was ok let’s put out a project to keep the buzz going and the fans lined up without it being a second album. The second album is going to be called A Dream Deferred and it’s going back to what The Salvation was. BB: So we are so excited to have you on the bill for this year’s Brooklyn Hip-Hop Festival! What do you have in store for us? Skyzoo: Aww man it feels good, you know every year [the BHF is] something real big for the borough. Expect a dope performance. You’ll really see me connect to the crowd. So it’s all the beats and rhymes that you love with the energy added on to it. Maybe a surprise or two here and there, depending on a couple phone calls I might make and seeing who is in town. Regardless though, it’s gonna be a great show. BB: Any last words for the readers? Skyzoo: Just to keep supporting what you think is dope hip-hop. Keep supporting what you love. To all the fans supporting me, I appreciate the love. Skyzoo will perform during the 2010 Brooklyn Hip-Hop Festival along with Fashawn, Curren$y, Money Making Jam Boys, DuckDown 15th Anniversary Celebration with Blackmoon, Smif-N-Wessun, 5FT, and DJ Evil Dee, headliner, De La Soul and more. Purchase Tickets to BHF10 Here For More On BHF10, Visit WWW.BKHIPHOPFESTIVAL.COM PURCHASE MUSIC BY SKYZOO HERE SKYZOO ARTIST PROFILE

BODEGA RADIO, Friday June 4th, BHF History Edition with Special Guest SkyZoo

Friday, June 4th Brooklyn Hip-Hop Festival History Edition BrooklynBodega.com staff writers Navani Otero, Run_P (The Free Safety) and host The Company Man along with special studio guest and Bodega Solider contest winner, Dan Ehrenreich, run through Brooklyn Hip-Hop Festivals years past. Brooklyn Bodega founders Wes and Ebonie Jackson stop in and drop unknown facts about BHF history, the highlights, the trepidation and intriguing moments with 2008 Headliner, KRS-One. 2010 BHF performer, SkyZoo dials in to preview his upcoming performance, discusses working with 9th Wonder, Duck Down Records and his experience at the first BHF in 2005. Microphone check…check…check…check…

The Money Making Jam Boys, Curren$y, Fashawn and Skyzoo To Rock BHF10!!!!

[Brooklyn, NY, May 31, 2010] Brooklyn Bodega, producer of the 6th Annual Brooklyn Hip-Hop Festival (BHF), is proud to announce that Money Making Jam Boys, Curren$y, Fashawn and Skyzoo will perform on the 2010 BHF stage. Louisiana MC, Curren$y and California newcomer Fashawn each bring their brand of homegrown, organic music to New York City's grand stage. Money Making Jam Boys (STS, Dice Raw, Truck North and P.O.R.N.) will bless the crowd with the rawest of raw Philly Hip-Hop and Duck Down Records rookie, Skyzoo, brings Brooklyn lyricism to his hometown. “One of the missions of the Brooklyn Hip-Hop Festival is to unite Hip-Hop fans of all generations and regions to celebrate and enjoy the culture that we all love. The addition of Curren$y, Fashawn and Skyzoo to Money Making Jam Boys to Smif-N-Wessun, Blackmoon with DJ Evil Dee and BHF headliners, De La Soul represents the best of Hip-Hop from across the country; across each generation.” –- Wes Jackson, Executive Director, The Brooklyn Hip-Hop Festival Past BHF performances by Hip-Hop newcomers include Lupe Fiasco, Tanya Morgan, Blue & Exile, Rhymefest, Kidz In The Hall, Homeboy Sandman, Brown Bag All Stars, 88 Keys, Mickey Factz, Strange Fruit Project, Marco Polo & Torae and a host of others. Many of these acts are well on their way to becoming household names among Hip-Hop heads worldwide. Money Making Jam Boys, Curren$y, Fashawn and Skyzoo will share the stage with the Duck Down Records 15th Anniversary celebration featuring Buckshot, 5FT, Smif N Wessun and DJ Evil Dee as well as BHF10 headliner, De La Soul. PURCHASE TICKETS TO THE 2010 BROOKLYN HIP-HOP FESTIVAL HERE About the Artists The Money Making Jam Boys -- Philadelphia MCs Dice Raw, Black Thought, STS, Truck North & P.O.R.N. teamed up to in late 2007 to release hard-hitting East Coast Hip-Hop. The group’s 2008 mixtape, The Antidote, featured a sound bed loaded with '80s classics and guest spots from Freeway, Peedi Peedi, Nikki Jean, and Steve Soprano. The combination of a dynamic live show and top tier lyricism makes The Money Making Jam Boys one of the premiere touring acts in Hip-Hop. Curren$y -- Formerly signed to No Limit Records and Young Money Entertainment, Curren$y has been a staple in the Louisiana Hip-Hop scene for the past decade. His successful 2008 mixtape campaign landed him on the cover of XXL’s vaulted Freshmen 10 of 2009 issue, igniting a significant internet buzz. The Fly Society member’s debut album, This Aint No Mixtape (2009, Amalgam Digital), was critically praised, certifying the New Orleans MC as one to watch. Fashawn -- Since releasing his first mixtape, Grizzly City, in 2006, Fashawn has earned a significant amount of attention. The California lyricist has worked with DJs Mick Boogie and Terry Urban on the One Shot One Kill mixtape, popular Hip-Hop websites OnSmash.com and NahRight.com on his Higher Learning mixtape, graced the cover of the XXL Freshmen 10 of 2010, and released his critically acclaimed debut album, Boy Meets World. Fashawn will bring his brand of California lyricism and vivid storytelling to the BHF10 stage. Skyzoo -- Since working with North Carolina rap collective, the Justus League, Skyzoo has released the critically praised album Present Cloud 9: The 3 Day High with 9th Wonder, the critically acclaimed mixtape, Corner Store Classic, and signed with the historic record label, Duck Down Records. Skyzoo’s Duck Down debut album, The Salvation, features raw, Brooklyn lyricism and quintessential East Coast production -- a homegrown fit for BHF10. PURCHASE TICKETS TO THE 2010 BROOKLYN HIP-HOP FESTIVAL HERE —— The calendar for the 6th Annual Brooklyn Hip-Hop Festival kicks off with Show & Prove on Monday, July 5th. This Hip-Hop showcase highlighting independent and local talent is the final event of Brooklyn Bodega’s three month Show & Prove competition. Tuesday, July 6th will feature the Bodega Education Initiative, a day of panel discussions and seminars about legendary producer, J Dilla. Speakers include Q-Tip, “Ma Dukes” Yancey, DJ Spinna and more. Wednesday, July 7th is a mini Film Festival featuring a variety of Hip-Hop films followed by Q&A with established and aspiring filmmakers. Thursday, July 8th is a night dedicated to the backbone of Hip-Hop: the DJ. It will feature performances by the best DJs from across the country. Friday, July 9th is the kick-off party to formally welcome Festival goers, past and current artists and community leaders to the 6th Annual BHF. Saturday, July 10th is the culmination of the 2010 Festival. De La Soul will headline the 6th Annual BHF on the DUMBO waterfront. The festivities kick off with Family Day, a block party for families and children celebrating Hip Hop’s central message — social change and individual empowerment. PURCHASE TICKETS TO THE 2010 BROOKLYN HIP-HOP FESTIVAL HERE

Tanya Morgan: Bang & Boogie Video on Billboard.com

Tanya Morgan's Hip-Hop Book Drive w/ Special Guests Buckshot, Torae & Skyzoo: 4/30 @ Crash Mansion TANYA MORGAN - BANG + BOOGIE from AAC FILMS on Vimeo. On Friday, April 30th Tanya Morgan presents the First Book Charity Concert and Book Drive at Crash Mansion. Curated by Tanya Morgan and Move Forward Music, the book drive concert will feature performances by hip-hop legend Buckshot, his Duck Down labelmates Skyzoo and Torae, and of course the Brooklynati trio themselves, plus many more special guest appearances. Presented in association with Black Apple Intl., proceeds from the concert will be donated to First Book, a non-profit that provides books to underprivileged kids across the U.S. and Canada. In their 20 years of public service, First Book has donated 65 million books to children in need, combating one of the most significant problems in U.S. literacy and education: access to books. Right now, more than 80% of preschool and after-school programs serving low-income populations have no age-appropriate books for their children, which has led to 30 million people over age 16 in the U.S. who don’t read well enough to understand a newspaper story written at the eighth grade level or fill out a job application. This is our chance to take part in making a change. Join us for this incredible concert, and get down with the cause! When: Friday, April 30th 7:30 - 10pm Where: Crash Mansion, 199 Bowery Admission: $12 (donated to First Book), Used Books also welcome! Facebook Event: http://www.facebook.com/event.php?eid=107352935966403&ref=ts Tanya Morgan Rocks The Bamboozle May 1st Performing alongside pop superstars like Drake, Ke$sha and Paramore, Tanya Morgan brings real hip-hop to The Bamboozle on Saturday, May 1st so be there as they blow the roof off of Meadowlands Arena.

Another Brooklyn K’weli Show

Talib K'weli is a busy guy these days. Less than a week before his upcoming Bodega show with Idle Warship, Mr. Kweli will be making another Brooklyn appearance at Williamsburg's newest place to throw strikes, Brooklyn Bowl. This show will feature a markedly different lineup as SkyZoo, Jean Grae and Beatnick & K-Salaam are all scheduled to appear. Talib Kweli and Friends Sunday, November 22nd, 8PM Brooklyn Bowl $10