BHF10: Live Under The Brooklyn Bridge
July 13, 2010 by RivaFlowz
Filed under Homepage Feature, Opinion
It wasn’t the vendors, graffiti hats, Japanese gourmet (maybe it was a little bit), and beer in tow that kept me captivated. It wasn’t the mass of volunteers, the all-access earpieces that kept the communication flowing, or the brightly colored passes that deciphered Bodega family from the onlookers either. It was the weather. A metaphor for Hip-Hop’s longevity; the sunshine standing for our initiation into the musical world, the rain for the soldiers we’ve lost and the turbulence along the way, and the light after the storm, symbolic of falling and getting back up again. All of this was overcast by a bridge leading uptown to where it all began. Every staff member was a simile, audience the stanzas, and performers the iambic pentameter. After all Brooklyn Hip-Hop Festival could only be described in one word….poetry.
At a Bodega affair, who else would be fitting enough to open the show? A Bodega signee and two Show & Prove Alumni. Savannah Boogie Music’s, Aquil, alongside Kalae All Day and The Crowd opened the show by storm. Although that’s exactly what was brewing, the grey clouds rolled in with Aquil’s tight verses over a compilation of classic Hip-Hop beats.
“This is for the emcees, DJ’s, rap writers, beat breakers….”
The Crowd, an eclectic crew repping Philly, The Bronx, and Paris, France followed up with a variation of beat box, quick spits, and a soulful voice. The trio comprised of Akil Dasan, Randy Mason, and Adeline, brought two guitars and incomparable harmony to the stage. They started with their YouTube hit “Music”, followed by “We Came to Rock” and versatile impromptu verses spit between sound difficulties and Aaliyah’s “Are You That Somebody”. Even with the constant adjusting, “The Crowd” kept the audience severely entertained. They truly embodied the phrase, “The Show Must Go On.”
Kalae All Day—Ms. Black Dynamite—rocked out after The Crowd, literally. With a star studded jacket, fro-hawk, and SERIOUS frames shading her eyes, she entered stage right with no fear. “You couldn’t read me if I was a…..book.” A lyrical songstress, as I like to call her, embraced her sets with her rhymes over a solid drum beat, freestyle over the introduction to “The Boondocks”, and her single “OG Lyrical Bookbagger” sans Homeboy Sandman. After her performance she stated, “I feel hot, and sweaty, and dope. I’m happy for the opportunity.”
Following the newcomers, another Savannah Boogie production, Those Chosen, alongside Diamond District and The Money Making Jam Boys took the stage one after the other. Emcees duo and trio style sauntered to the very tip of the stage on to the speakers near the edge to convey their messages to the attendees. While Diamond District— Oddisee, X.O., and yU — were awkwardly synchronized Temptations style during “Streets Won’t Let Me Chill”, the main emcee spitting would withdraw from the last word on each bar so the other two could emphasize for him. I’m all for working as a team but, just like on the track, each emcee should get his shine. The overt sync took away from their live performance and allowed Those Chosen and Money Making Jam Boys to shine a little bit brighter. Those Chosen — Japetto, Kornbread, and Foreshadow — brought amazing energy to BHHF and had young cats bobbing their heads and memorizing their hooks. The Money Making Jam Boys came through with their own theme music which onset a gradual “Ooooo” from the crowd. While other groups came with repetitive hooks, they decided to keep it predominately lyrical. Switching the roles of hype man—accurately fading into the background—allowed each emcee enough time on the microphone to show their capability.
Celebrating fifteen years of independence, artists from DuckDown Records came through to elevate the spot. Mario, a 47-year-old from Brooklyn, stated, “Smif N Wessun, that’s all I came here to see.” The celebration also brought through Skyzoo, Buckshot, Black Moon, 5FT, DJ Evil Dee and other members of the Boot Camp Clik. Although Torae was an excellent host, these dudes needed no introduction. As each emcee took his turn to the mic, the fans spit word for word the old school and new joints performed.
Emcee and producer, Black Milk also had visible fans. Spitting his lines bar for bar was Terry, a 16-year-old from Sunset Park who said, “I came to see De La Soul and Pete Rock but I didn’t know Black Milk was going to be here. I was about to leave to get something to eat and then I saw him and said, ‘What!?’” Black Milk performed songs, “So Gone” and “Welcome (Gotta Go)” as well as many others. Chain swinging low and Nike’s on serious fresh status, the emcee is a force to be reckoned with.
One of my favorite emcees, Fashawn, stood backstage rhyming the words to “Kweli” before his set. Rocking a Fresno jersey with his name inscribed on his back he wasted no time telling us his life story. Ripping with songs such as, “The Ecology”, “Samsonite Man”, and “Life as a Shorty” -- he lives up to his storyteller reputation during his live performance. Coming through incredibly clear on the microphone and a master at working the stage; Fashawn left the multitude pleased.
Curren$y Spitta also came through with tracks from his new LP — Pilot Talk — that dropped on his self-made label, JETS. As I’ve said before, Curren$y isn’t a rapper, he’s a mood. Setting an aura, making music mostly for the smokers, he causes his fans to zone out with usually the faint smell of smolder in the air. Having just experienced his live show at SOB’s during BIG K.R.I.T.’s Def Jam Signing Party, I can definitely say he had way more energy. Perhaps this is due to his album drop on July 13th? Yeah, indubitably.
After the new school blessed the stage, the veterans came through. Masta Ace, Marley Marl, and Craig G brought “The Symphony” to BHF10, literally. “I keep just going and flowing, just like a river.” (I bet you don’t know why I chose that quote.) The crowd went wild upon hearing Masta Ace introduce his fellow comrade “Next up, it’s Craig G on the mic!”
J. Period also came through with a line of special guests such as Dres, Premo, and Nice and Smooth. However soon after, something epic occurred -- Pete Rock and CL Smooth back on stage after a 6 year hiatus, performing together like they’d never left. The duo commanded attention performing classics like “Straighten Out” and “TROY.”
The grand finale, headliner De La Soul took the stage with the largest crowd. The gates were gradually filling through the evening but, were almost to capacity with the entrance of the trio. Posdnuos took the lead—front and center—most of the time. The trio didn’t cease to amaze as they’ve done for decades. The three emcees—also comprised of Dave and Maseo—took BHF10 through a time machine. They performed, “Getting’ Down at the Amphitheatre”, “Potholes In My Lawn”, “Stakes is High”, “Me, Myself, and I”, “Saturday”, “BreakADawn”, “Grind Date”, “Bionix” and “Oooh, Ooh, Ooh” -- covering songs from every album except Are You In?.
Between sets the “J Dilla Emsemble” from Berklee College led by faculty member Brian “Raydar” Ellis and lead Jonquel performed recomposed works by J Dilla himself. The group stated, “We just get together and play Dilla joints. We hear the original and play it by ear. This is our first real show.” The ensemble also performed at the Bodega Education Initiative panel discussions with Ma Dukes Yancey, J Dilla’s mother, and rapper Q-Tip at the Brooklyn Historical Society.
There was a high after the festival—no not just after Curren$y’s set—drifting underneath the Brooklyn Bridge, lacing the promenade, lingering in the ears of old Hip-Hop heads and hipsters alike. It was over, allowing mainstream minds to descend into the underground and elevate to a euphoria that’s only possible once a year. Prodigies, philosophers, and composers met in a safe space and rose from ashes unstirred for years. The emcees—not entertainers—committed arson on microphones (thank God we were near the water) while police and volunteers guarded our treasured genre. This is that unforgettable high, leaving the ghosts of smoldering microphones somewhere in Dumbo, Brooklyn. If you’re lucky, you might just catch contact.
Follow RivaFlowz on Twitter: @RivaFlowz
Brooklyn Bodega Radio: BHF Week Recap Edition with Guests Skyzoo, General Steele of Smif-N-Wessun and Those Chosen
July 9, 2010 by admin
Filed under Homepage Feature, bodega radio
SAVANNAH BOOGIE ARTISTS, THOSE CHOSEN, AQUIL TO PERFORM AT 2010 BROOKLYN HIP-HOP FESTIVAL
Message Over Mayhem — Those Chosen Interview
June 15, 2010 by Ron Grant
Filed under Homepage Feature, Opinion
The last few years have seen a major resurgence of west coast Hip-Hop prominence. For example, unless you’ve been living under a rock tucked away in the back of a cave covered up with a bigger rock that’s under the Pacific Ocean, you know that The Game (the rapper, not the TV show or the wrestler) has been one of the biggest names in music, in all his dramatic glory.
But of course, Cali hasn’t stopped there. When has it ever? Just to throw a few names out there, you’ve got Mistah F.A.B., Pac Div, Strong Arm Steady, Nipsey Hussle, BHF Alum Blu & Exile, newcomer Fashwan (performing at the 2010 BHF) and a host of others carving out a niche for themselves in the glorious game (no pun intended) of Hip-Hop.
Well, check off another name to that list: Those Chosen, a trio made up of rhymesayers Foreshadow, Japetto and Kornbread out of the great Hip-Hop metropolis of Los Angeles. Their sound has been described as “avant- garde, street-influenced, politically fueled spiritual lyricism.” Influenced individually and collectively by the likes of A Tribe Called Quest, Ice Cube, Pharcyde, Outkast, Goodie MOB and the entire Dungeon Family, TC has proven themselves to be everything they’ve been described as and more: truly reppin the West whenever and wherever they can, but with the potential to appeal to Hip-Hop heads of any and all backgrounds. When asked about their thoughts on the reawakening of west coast Hip-Hop, Kornbread, the groups’ most vocal member, sums it all up: “We’re not regional by any means, but at the same time we gotta put it down for the coast. So everybody…getting that shine and getting that respect: keep working, keep going and keep building,” he says with a supportive hand clap for his fellow Cali comrades.
Those Chosen is the first group signed to the Brooklyn Bodega digital imprint, Savannah Boogie, and are mainstays on the West Coast indie Hip-Hop scene. “We came together just growing up in Rialto,” says Foreshadow on the groups’ beginnings. “We’ve always all had a common love for music. We really started getting serious after we graduated high school, and it just blossomed into a journey.”
Among some of the groups accomplishments, TC has already linked up with Grammy award-winning producer IZ Avila (do Mariah Carey, Usher and Janet Jackson ring any bells?), as well as THX and Sha Money XL protégé Dual Output; performed on MTV2 for the 1 World Hip-Hop Championship and independently released both a critically acclaimed album and mixtape, Reign Food and Steamulus: The Watts Riot Effect, respectively.
But taking a closer look at the MTV2 performance on Vimeo, one can’t help but notice something a little different. Something that is missing from far too many groups that claim they’re trying to get their shine in today’s rap game. That something is simply…HUNGER!
You can hear it in Foreshadow’s voice when he lays down his lyrics during the performance of their thump-driven single “Soundclash”. You can see it on Kornbread’s face when he stares the camera down and strangles the life out of his verse. You even notice it in Japetto as he riles up the MTV2 crowd like a Boston Celtic at TD Garden during a Finals game. It’s refreshingly obvious that they’ve worked hard for their spot and they’re not letting go of it for anything or anyone. “Paying dues is a process that’s necessary,” says Kornbread. “We see ourselves as more than a music group. We see ourselves as a small business. [As an artist] you definitely have to invest in yourself before you can expect anything.”
Upon hearing their music for the first time just a month ago, the first thing that came to mind was that Those Chosen’s sound is a combination of two of my favorite Hip-Hop trios of all time: Dilated Peoples (also Cali-bred) and Little Brother, with just a lil bit of Gang Starr sprinkled in for good measure. And yes, these are VERY big shoes to fill for this trifecta of West Coast MCs. But just take a listen to a joint like the previously mentioned “Soundclash”. Produced by IZ Avila, it’s an earth shaking, stage-rattling, true-to-form west coast banger, but it also immediately makes you reminisce on the old school boom-bap days of ’88.
And there’s a whole lot more in store with these three. Just take “Sweetback Music” from Steamulus, a combination of a laid back groove and head-nodding feel good track with an irresistible Foreshadow-led hook (“Sweetback music/just flow to this/West Coast to this/now bounce…”). “The Feeling” will automatically make you feel like you’re in a barbershop chopping with all the neighborhood bruhs, with its sped up soul sample and smoothed-out lyrics (“It feels good to be the center of attention when it’s all good/have ya words publicated like in All Hood...”-Kornbread). And “Radiotron” is truly a get-up-and-move-sumthin’ track with some subtle techno/electronica inspired tendencies that won’t have anyone holding up the wall for long.
It’s clear that Those Chosen has paid dues, and they don’t intend to stop doing so any time soon. Each member understands that it takes lots of hard work, dedication, determination, sacrifice and a little luck to make a name for oneself in today’s Hip-Hop industry. Case in point: linking up with Brooklyn Bodega at last years’ BHF Show and Prove. “We got the call that we could come down to Show and Prove last May, and we were just going down for the experience of being in New York and having people feel our vibe,” according to Foreshadow. “And it ended up becoming bigger than that where we gained a relationship [with Brooklyn Bodega and Savannah Boogie]. And that just came from hopping on a plane!”
“New York showed us love. Brooklyn, Manhattan, Jersey, Philly, everybody showed us love,” says Japetto of the reception Those Chosen got at last years’ festivities. “So it was a good experience.”
Kornbread takes things even further when talking about his feelings of BHF: “It’s a good environment, just from seeing videos of past performers. [It’s] a great family atmosphere with thousands of fans, food and everything. It’s the business!”
Overall, the group seems primed to take their message to the next level. Closing out the interview, Kornbread gets a little philosophical, but brings it right back home: “On the music front, we want [our fans] to stand behind us. We see ourselves as the tip of the spear being shot through the madness and we’ll need a lot of prayers and support. Come on this journey with us and let’s make a difference, and put out good music in the process,” immediately followed by Foreshadow slipping in the trios’ mantra: “Message over Mayhem.”
Well said, fellas. Well said indeed.
Those Chosen is all over the net, with YouTube presence that can go head to head with the best of the best (all of the aforementioned videos can be seen there) and a hefty amount of music available right now for download and purchase, including their latest EP, 5IVE (which earned a 5-Star rating from URB Magazine), Steamulus: The Watts Riot Effect, and Reign Food.
Those Chosen will be performing at the 2010 Brooklyn Hip-Hop Festival alongside the likes of Black Milk, Masta Ace, Money Making Jam Boys, Curren$y, Fashawn, DJ Rhettmatic, J. Period and BHF 2010 headliner De La Soul. Fans can catch up with them on MySpace, on Twitter, and on Facebook
PURCHASE TICKETS TO THE 2010 BROOKLYN HIP-HOP FESTIVAL HERE
Bodega Radio, June 11th, Rap’s Best Storytellers with Guests Those Chosen and PackFM
June 13, 2010 by admin
Filed under Homepage Feature, bodega radio
Those Chosen Release Debut EP, 5ive
April 8, 2010 by The Company Man
Filed under Featured Editorial, Homepage Feature, News
Those Chosen – West Coast Shows
April 4, 2010 by Evan
Filed under Events, Uncategorized
Letter to Show & Prove — A Retrospective
March 31, 2010 by The Company Man
Filed under Homepage Feature, Opinion
THOSE CHOSEN “Soundclash Video”
March 9, 2010 by Swift Rock Ski
Filed under Videos
Those Chosen Video Release Party
February 8, 2010 by Swift Rock Ski
Filed under Videos

